Grisel Acosta

Dr. Grisel Y. Acosta is a full professor at the City University of New York-BCC, the author of Things to Pack on the Way to Everywhere, a 2020 finalist for the Andrés Montoya Poetry Prize, and the editor of the Routledge anthology, Latina Outsiders Remaking Latina Identity. Select work is in Best American Poetry, The Baffler, The Acentos Review, and forthcoming in Speculative Fiction for Dreamers: A Latinx Anthology and The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry. She is a Geraldine Dodge Foundation Poet, a Macondo Fellow, and the Creative Writing Editor of Chicana/Latina Studies Journal. Find Dr. Acosta at grito.org.

Pechichona

was what they called me

tú eres muy pechichona

but I ask, who doesn’t like the excessive

mollycoddling that becomes an

addiction to hugs, kisses, hand-holding,

giggling until the wee hours over

plates of flan or uneaten birthday cake

huddling in sleeping bags, sharing

secrets with the crickets and fireflies

guffawing over ancient horror

stories meant to anchor our feet away from water and

then jumping into moon water at midnight anyway

don’t we all love love?

would we prefer to sit, stiff-necked

and straight-backed, ready for a Puritanical

flogging of the spirit and heart, closed

mouth dry, might as well cut out the tongue

no words will be shared among lovers tonight

no, not me

soy pechichona siempre

always ready for skin

to touch, connect, share 

the warmth that must flow for life

itself to birth new fires


…así que…

back when I was a girl we didn’t have what you call dating…así que…

if you wanted to see a boy, you had to have a chaperone…así que…

aveces they came to the window to talk…así que…everybody heard

even though you tried to whisper…así que…it was a public affair…así que…

mis tías always kept their eyes on me…así que…when your father 

took interest, they were wary…así que…we mainly sat overlooking the sea

atop the mountain of the seminary where we met…así que…it was peaceful

with the breeze from the water…así que…we fell in love anyway…así que…

they had to accept it…así que…I mean, your father did try to ask for my hand

…así que…he went to my father, your grandfather, para pedir permiso…así que…

bueno, he said no, Papi’s color…así que…we got married anyway…así que…

el profesor Castellano gave me away…así que…pero mi mama went

…así que…she was the only one, and we had no money…así que…

I had to borrow the dress…así que…the veil and the flowers were borrowed,

too…así que…I left school to live with your father en Colombia…así que…

I didn’t see or speak to your grandfather for another 20 years…así que…I learned

strength, to be strong for my family…así que…when your father got sick 

I knew I would take care of him, never leave his side…así que…don’t worry about me

…así que son las cosas for women like us, we keep going…así que…I know you

will keep going too, when you need to…así que…pero maybe you give a little less

…así que…maybe you give less and be more free and keep going for you…así que…


Time to Kill the Woman Over 40

she will already be dead, oftentimes

              the mother who died giving

              birth to a teen who keeps her

              photo in a heart-shaped box under the bed

              the wife who died of cancer

              so we can see her husband

              mourn for her for a tight 90 min.

              the nana who left

              an inheritance to her litigious offspring

              a ghost who haunts new

              homeowners attempting to soothe

              her longing for a lost, unrequited love

but if she is alive

              thriving at her upstart

              excited about her new chapter at 50

              mentoring the young with a kind heart and words

we will never know

because she must be killed

she will be blown to pieces in an explosion after

devoting herself to an English spy

she will have her neck broken, succumbing to her husband’s

mafia debts, and the actress who plays her will have her head

chopped off again by trolls and Twitter bots, asking why

such an old actress was fucking an actor of her same age onscreen

she will die at the hands of a serial killer and the audience

will groan at the sight of her cellulite on the autopsy table

she will die after convincing her husband to support

their son’s dream, and we will never learn

if she had a dream of her own

but what of the bitches who live?

we must hate them and wish them dead!

these harridans will strut around

their Spanx foundations and fitted suits

act like they own D.C., even though

[GASP!] they have no children 

women over 40 without children

can’t lead!

these scumbags in Aerosoles

who are just waiting for their impending AARP

discounts like entitled primordial muck

will attempt to advise their trainees

only to be met with looks from younger

Google execs who say, “Why was this person even

cast in this story?”

if they are not dead, we must wish them dead

they will be evil stepmothers

              lurking in bushes

              waiting to trick naïve heiresses

              stab them with a sword!

they will be insane zombies

              kept in a sealed tank

              waiting to chew your grey matter

              off with their heads!

they will be pathetic, overtanned

              oversexed swingers just

              waiting to get their paws on your

              under 30, still-lubricated skin

              drown them in the sea!

they will be bookish nerds

              planning an elaborate scheme to trap

              you via a snowfall accident

              imprisoning you in their home

              pretending to mother you

              kill them with your bare hands!

but mainly, they will just be 

absent

gone

not written at all

dead before the story even starts 

and let’s face it

who really misses something 

or someone

they never knew at all?