Gabriel Cleveland
The First Poem I Wrote During the COVID-19 Pandemic
Up half the night thinking of the last time
I saw thick, green fronds in a coat of ice
like a resined artifact—suspended
dinosaur feather, encased in amber.
Crystalized leaf after crystalized leaf,
I picked icebound, teardrop pendants as if
gathering beads for a necklace, a gift
to keep some lover cool through the summer.
Minutes later, they'd completely thawed out
in my palm. I thumbed the rubbery blades
until I dropped them from wet, dirty hands.
Trapped in our homes, all frozen over,
waiting for careless fingers
to pluck us, or to make it, safe, through Spring.
With no one else around, I talk to the sun.
First, I thank it for the hibiscus
that open like satellite dishes
on my balcony. Then, I point out The City
and the river and the barges, and even
the white swells of the Hudson
and how it all seems motionless
from a mile or two away, frozen,
so long as you don't look too closely
between the trees where cars carry little
glimpses of the sun's rays like
focal points
of a thousand magnifying glasses.
Then, I have to sigh, because
the stillness becomes emblematic
of our country in its peril, like a diver
suspended in place, stretched
to infinity at the event horizon before
the black hole tears him into particles.
I talk about right-wing conspiracies
getting sworn into office and
Ruth Bader Ginsburg's untimely death
and how, if the end is coming, it ought to
just come already, because
this edging is a real turn off and
sometimes, you just need it to be over.
The sun, of course, doesn't answer.
The sun just casts light.