Blake Harrsch

Blake Harrsch is an English Literature Master’s Candidate and Writing Instructor at Seton Hall University. Her poetry has been published in New Jersey Bards Poetry Review, Sad Girl Diaries, Echo Review, and The Word’s Faire. When Blake isn’t writing at the duck pond, she can be found gallivanting through thrift store aisles.

The Great Flood (Poem)

When the world first flung

its treacherous tears from the sky,

I cried along with it. Pressing Mother

about my afternoon birthday party,

its certain cancellation shocked

the once fortunate summer-born babe.

My muddled mind waded through the un-swam pool

and unopened presents and uneaten cake until I reached

the unthinkable: Since when could a house be breached?

Our walls porous? The track of the basement

door an unreliable tower guard, snoozing,

or perhaps sneering, as the water welcomed

itself inside, dampening the pearl carpet until

the shade of its edges transformed to sand, a dismal shoreline.

 

Father flew to grab towels and sopped up

the soggy fibers, intermittently prodding the area,

as if checking a pulse. Mother guided me a room over,

knowing no solace but prayer. We climbed onto the Big Bed,

affectionately named in comparison to my single, and I wondered

if its squeaking springs would prove buoyant, the Queen mattress

an impending lifeboat. Our Father, she prompted, as mine defied

the numinous fog, still peering through the pictureless window

of the glass slider to offer some forecast our powerless television

could not provide, deciding he had “never seen it come down this much.”

Thy Kingdom come; Thy will be done.

 

Blubbering racked my feeble frame, induced

by the horror of our house washing away, and I drowned

in the pitter patter of rain, pitter patter pitter patter

of Mother’s heartbeat, her strong hand urging my cheek

against her bosom to shield me from the coruscating glow

of her eyes that flashed with each lightning strike, beamed

with each wail that escaped me / Forgive us our trespasses /

grateful to cradle her ever-growing child. Her arms were no levee

against the rushing worry, but belonged to a gardener determined

to redirect a plant that has vined and stretched to find its own sun

back into its pot.

 

Nor did she conjure the adage that quelled crib fits

just years before—God is bowling!—but let me cry

and cry and cry until I was reduced to sobs and snot. As if God

had come again, ready to select two of every species once more,

and how well I pleaded determined if my family would be spared.

Deliver us from evil. Amen. Please. Please.


Like the Irish (Poem)

He won’t tell you he’s leaving

but there will be signs—

ones you can’t decode, though flashing, perhaps neon,

until memories are all the belongings you have left

to sift through, when all the time you’ll have

is all the time you’ve had. Recall his yawn

at the Italian restaurant, covered by his familiar hand,

when you were distracted by those boisterous veins

(How are we so in love as to rate appendages?).

In this foolishness—no, you’re not the fool for trusting—

in this vulnerability, lending your heart for his holding,

you couldn’t have known he would shove it

in the clutter of his denim pocket with crumpled

receipts, straw wrappers, and a sticky nickel.

How clearly un-wallet worthy he deems you, denied

preservation in that laminated flap—a man’s hall of fame.

 

You realize he was bored.

 

You are not boring. Ears are unreliable, and forget

those damned eyes and their wanderings. Yes, blame

his eyes for not liking what they see! Indulge

in this game of hide-and-seek, the players

every person you’ve ever been, buried within you,

demanding to be heard. When you decide he detests

your body, you’ll find her: the twelve-year-old girl

cowering behind a stack of boxes and diffidence.

 

But he never says that, of course. He blames his heart,

that it just wasn’t in it, as if the organ can move

from its fused ligaments without the handicraft

of a surgeon’s knife, as if he misplaced it or it packed a bag

and ran away in the middle of the night, pissed at its parents.

 

And you will become an author,

determined to dissect his real reasons—

your eternally chipped nail polish, the grown-out

face frame, how laughter doubles your chin—

Commencement (Poem)

 Erica, my therapist, asks,

When you say you feel shame,

where do you sense that in the body?

And my lungs balloon with a selfish inhale

to sustain the evaluation, the thorough scan

an undoing of a bird’s nest:

 

  1. examine the roots of the architecture

  2. unwind unfavorable materials; pluck out parasites

  3. salvage the good and weave again, thread by thread,

with hope in the loom

 

My rounded shoulders are a surprise

discovery—this cowering toward the middle

of myself, fragments traceable to the point

of impact, a leaf curling inward from changing winds

before the storm—while outside my bedroom window

a bird begins to twitter.

 

Chickadee.

The name arrives certain, assured, a repetitive trill

I recognize without seeing the feathered source.

I am not a bird watcher, as much of a disgrace

to my deities of Dillard and Oliver that may make me,

but it soars through the sill—the tune from early years.

 

Young enough for space in the toe of my shoe,

pink tights slippery against the plastic chairs

arranged for preschool graduation, mother-crafted

braids rest atop my proud shoulders. We sing.

My hands cup the stuffed bird gifted by Miss Maria

to mark our membership in the Chickadee Class

before we migrate to warmer regions, a souvenir for the flyway.

 

Its lyrics now escape me, the melodious

ribbon unwound by the pulling hands

of time, but I remember how I relished

finding the button buried in its fuzzy belly,

sounding chirps on cue when our teacher

prompted. When its three calls concluded,

and I, too, warbled, articulate and reverberant,

When I would have braved any climate, risen

before any sunrise to wake the world

with my song, trusting my calls

would be returned by the flock.

 

Now, in the after

of what Erica asks I do not describe,

just feel, I interrogate why soaring

no longer feels instinctual, why I believed

in his right to cast the net and capture me,

keeping me from my banditry, and,

when there were no more birds to cast off,

why I let him pluck each feather, exposing

the pink of my skin to the burning star

of conceit. Why I did not try to fly away.

 

The Chickadee chatters once more.

 

Here, I respond, fingertips gently

tapping the center of myself.

I feel it in my throat.